Name: Tadeu Barbuto Bousada
Type: MSc dissertation
Publication date: 29/07/2021
Advisor:

Name Rolesort descending
Erly Milton Vieira Junior Advisor *

Examining board:

Name Rolesort descending
Erly Milton Vieira Junior Advisor *
Mariana Baltar Freire External Examiner *
Gabriela Santos Alves Internal Examiner *

Summary: This research discusses the relationships between cinema and the closet, having as object of analysis, three contemporaryBrazilian films: Tattoo (Tatuagem, 2013, Hilton Lacerda), Futuro Beach (Praia do Futuro, 2014, Karim Aïnouz) and The Way He Looks (Hoje Eu Quero Voltar Sozinho, 2014, Daniel Ribeiro). First, understanding cinema as a dark room, we condition its territory together with other spaces that were part of the sexual organization between men in Brazilian cities. Also in this section, we contextualize the national Queer cinema, addressing its presence in the periods of Chanchada, Pornochanchada and Retomada, pointing out the growing wave of films about “coming out”, as a gay identity was consolidated in the reflection of HIV/AIDS pandemic.

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